Dancing With Symbols
 

Dancing with Symbols

From Within or from Without?


  Random Thoughts - January 2007

'Random Thoughts' Main Page - Exploring Ascension Section - What's New?


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INTRODUCTION
Some thoughts develop rapidly and some thoughts need a longer time to ripen. I have been thinking about my position towards the Language of Light and the Language of One for some time now. Due to Monique's comparisons with the Freedom Teachings (FT) and the december 2006 article from the SSOA on the Holographic Medicine Wheel I am finally ready to broach this subject.

MAHARATA TONES
In the second part of the How to Get Out of Black Hole Status articles by Monique she mentions the following lines of thinking:

...The life force currents from density 4, dimensions 10, 11 and 12 are called Maharata currents. The Freedom Teachings do not just work with meditations. Techniques involve toning, the use of sound and your own voice to repair your field and reactivate the subharmonics and fire codes (SSOA calls them ascension keys) in your DNA template. Looking at a symbol and drawing the energy and codes (mathematical programs) contained in them into your third eye chakra is another technique, called pineal induction.

Ma'a is the tone for dimension 12, Hara for D11, Ta'a for D10. So when you tone Maharata and anchor these currents in your field, the process of leaving black hole status can commence. The Freedom Teachings insist that you do not work on anything at all before activating your Maharic Shield, also called the Shield of Aramatena (Aramatena is Earth on density level 4) which contains the 144 frequency sub-harmonics of the entire 12D spectrum.
How to Get Out of Black Hole Status (part 2)

FROM WITHIN OR FROM WITHOUT?
I was triggered into writing this article when I read about this 'pineal induction'-technique dealing with the use of sounds. As you may remember I have become to trust upon the ability to slowly alter the reality characteristics of your own reality by transforming certain 'angular' or 'harmful' modes of relating to reality. I am also inclined to distrust virtually any technique that 'solves' issues or 'ascends' parts of your body without this 'slow' work dealing with 'reality-transformation' or thought form change (see External Factors).

I remember the days when I was actually moved to tears when I focused on certain 'Language of Light'-codes, especially the tri-tones were somehow impressive. There must be some magical truth in these tones is what I have always thought, and I still think about it that way, but for now I have come to the conclusion that there are various modes of working with these 'tones of creation': you can take a look at them every day, or enlarge them and put them on wall paper format, but to me this seems like an expression of faith and trust in something that you really cannot verify yourself. In this case you need to trust Mila.

I was rather reluctant in using either the LoL or the LOO-symbols because I just couldn't be sure what I was doing. It somehow felt unnatural and perhaps even enforcing my ascension process, stressing up my biology and by-passing my current level of awareness. I'm therefore glad to notice that even though I haven't worked with these symbol for quite some time (perhaps even more than a year), I still feel in a very fine vibe.

So, what did I come up with? I presume that somehow these LoL or LOO-symbols, or who knows what kind of symbols, are simply attracted to your system as a result of the stage of your own process of 'reality-clearing'. In other words, if you manage to clear disturbing, energy-leaking, harmful thoughts from your system, these symbols are either attracted to 'dance with you' or they might even emerge or arise out of your own system. If everything is truly holographically connected, we need need search for symbols of life outside of ourselves: we might hold them within ourselves and the game might be about removing the dirt from the glasses of our bodies to release these symbols, for they might only be able to exist in various degrees of harmlessness.

THE HOLOGRAPHIC MEDICINE WHEEL
When you take a look at the december 2006 SSOA article from the Native Americans (whatever happened to the distinction between the two American Indian groups as being 2 out of 7 of the seeded races?), I can't help but notice that in some instances the idea is presented that by focusing on certain tones your process is likely to speed up:

The Language of One tone associated with Holographic Knowledge provides keys and movement necessary to opening holographic archives....The movement of field generated by the Holographic Introspection language of one tone will create the necessary sounds to draw the information out of any holographic archive that resonates with what you are seeking to understand... This tone will provide keys to those mastering their spiritual lessons in learning the vital lesson of balance which then leads to a state of internal and unending love within.
SOUNDS AND TONES
Although I am quite enamoured by the idea to 'sing a creation into existence' I prefer to stick to my system now, removing harmfulness patterns of thought and bias from it, creating the soil for tones of existence to grow from. I don't believe in presenting huge images of these tones above the soil to speed up the growth process. I believe that with the right intentions me, myself and the various (multidimensional) I's know what to do. When enough awareness grows I would love to work with the tones that have arisen from within: they will then be truly mine and not a 'spiritual ambitious' copy of it.

In my current stage I must agree with the advice from the FT which seems to say that it is better not to play around with sounds and tones that are above the level of your biology. Mila warns for the use of the LoO symbols for they might make you feel dizzy when you haven't incorporated the LoL-symbols. If I understand Monique's interpretation correctly it is only when you have created a 'shield' that resonates with a fourth density Earth (which in this case looks a lot like a fourth dimensional body) you can decently start the use of these tools of creation, which may indeed turn out to be rather 'vocal', wasn't there some book that said, 'In the Beginning there was the word...'

For now I will not actively work with these tones to active anything. I feel better moving on with my current path of thought form transformation as long as it is accompanied with a gradual flow of change. Both Ken and Monique currently are more explorational in these arenas and you will probably read more about their experiences later on. If you have anything interesting to add to the ideas discussed on this page, give me a call.


Gibbon,
January 2007

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